{"id":295,"date":"2012-03-01T22:33:07","date_gmt":"2012-03-02T06:33:07","guid":{"rendered":"http:\/\/research.ecuad.ca\/s3dcentre\/?p=295"},"modified":"2012-03-01T22:33:07","modified_gmt":"2012-03-02T06:33:07","slug":"meetup-gener8-changing-the-conversation-about-conversion-march-7-2012","status":"publish","type":"post","link":"https:\/\/palette.ecuad.ca\/bgml\/2012\/03\/01\/meetup-gener8-changing-the-conversation-about-conversion-march-7-2012\/","title":{"rendered":"Meetup: Gener8: Changing the Conversation about Conversion :: March 7, 2012"},"content":{"rendered":"<div><strong>This event is FREE and open to the public, but space is limited!\u00a0<\/strong><\/div>\n<div>\n<p><strong> Register now at:\u00a0<\/strong><a title=\"S3D Meetup #5\" href=\"http:\/\/s3dmeetup5.eventbrite.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/s3dmeetup5.eventbrite.com<\/a><\/p>\n<p><strong>Gener8<\/strong>\u00a0is a successful company that has developed a positive reputation in a challenging industry. The conventional wisdom in the film industry and popular press seems to be that the only way to produce a quality stereoscopic 3D film is to shoot with native stereo camera rigs. Stereoscopic 3D post-conversion is generally looked upon as a lower-quality alternative. We suggest that 3D conversion can produce high quality results; in fact a more useful conversation is &#8220;what is the right tool for the job?&#8221;<\/p>\n<p><strong>Tim Bennison<\/strong>\u00a0and\u00a0<strong>Mark Lasoff<\/strong>\u00a0from Vancouver-based Gener8 will present an overview of their company&#8217;s stereo conversion work on such film franchises as Harry Potter, Priest, and Ghost Rider. \u00a0They will give a backgrounder on the state of the conversion industry and then describe Gener8&#8217;s conversion process. They will also be discussing production issues such as integrating conversion with visual effects and native stereo 3D shots, and the logistics of converting a full-length feature film.\u00a0There will be the usual draw for a great door prize, so don&#8217;t forget to bring your business cards for a chance to enter! Stay tuned for more upcoming Meetup events from the S3D Centre.<\/p>\n<p>**********************************<br \/>\n<strong>S3D Centre Meetup :: Gener8: Changing the Conversation about Conversion<\/strong><br \/>\n<strong>This event is FREE and open to the public but space is limited!\u00a0<\/strong><br \/>\n<strong>Register:\u00a0<\/strong><a title=\"S3D Meetup #5\" href=\"http:\/\/s3dmeetup5.eventbrite.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/s3dmeetup5.eventbrite.com\/<\/a><\/p>\n<p>Wednesday, March 7, 2012<br \/>\nEmily Carr University of Art + Design<br \/>\nNorth Building | Intersections Digital Studios<br \/>\nEvent 6\u20138:00 pm (Doors 5:30)<br \/>\n**********************************<\/p>\n<p><strong>Tim Bennison<\/strong>\u00a0joined Gener8 as Chief Operating Officer after serving as Executive Producer at Radical Entertainment. At Radical, he co-created several award-winning video games including Prototype, The Hulk and Incredible Hulk: Ultimate Destruction. Tim also worked as Radical&#8217;s Vice President of Technology, responsible for directing technical development for all production teams and overseeing research efforts. Prior to joining Radical, Tim worked at Alias|Wavefront, where he built advanced surface construction tools, implemented rendering systems on a variety of custom hardware, and designed a digital video 3D animation system. A graduate of University of Waterloo with an M Math degree in Computer Graphics, Tim was an associate professor in Computer Science at Lincoln University in New Zealand.<a title=\"http:\/\/www.gener8.com\/\" href=\"http:\/\/www.gener8.com\/\"><br \/>\nhttp:\/\/www.gener8.com\/<\/a><\/p>\n<p><strong>Mark Lasoff<\/strong>\u00a0is an Academy Award-winning Digital and Visual Effects\u00a0Supervisor. He has worked on numerous visual effects-driven blockbusters including Avatar, Titanic, Apollo 13, The Matrix 2 &amp; 3, The Hollowman, and True Lies, to name a few. \u00a0Mark has worked at many of the world&#8217;s leading visual effects companies including Digital Domain, Sony Pictures ImageWorks, Disney Feature Animation, and Electronic Arts. Beyond feature films, Mark has supervised two seasons of television visual effects for Syfy&#8217;s Sanctuary, and several large-format stereoscopic films for theme parks around the world, including the award-winning Terminator 2\/3D. \u00a0Mark also served as the franchise Art Director for EA&#8217;s Medal of Honor. Mark began his visual effects career as a software developer for Total Recall, where he developed rendering software for the x-ray skeleton sequence, which earned the film a Special Achievement Academy Award for the Best Visual Effects. Mark graduated with a M.S. in Computer Science from the University of Maryland, and a B.S in Computer Science and a Bachelors of Electrical Engineering from the University of Delaware.<a title=\"http:\/\/www.gener8.com\/\" href=\"http:\/\/www.gener8.com\/\"><br \/>\nhttp:\/\/www.gener8.com\/<\/a><\/p>\n<p><strong>Emily Carr&#8217;s S3D Centre\u00a0<\/strong>is a national centre of excellence dedicated to advancing the art of stereoscopic 3D through research, education and training.<br \/>\n<strong>Visit us online:<\/strong>\u00a0<a href=\"http:\/\/www.s3dcentre.ca%20\/\">http:\/\/www.s3dcentre.ca\u00a0<\/a><br \/>\n<strong>Follow us on Twitter:<\/strong>\u00a0@emilycarrs3d<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>This event is FREE and open to the public, but space is limited!\u00a0 Register now at:\u00a0http:\/\/s3dmeetup5.eventbrite.com Gener8\u00a0is a successful company that has developed a positive reputation in a challenging industry. The conventional wisdom in the film industry and popular press seems to be that the only way to produce a quality stereoscopic 3D film is [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":119,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[12,15],"tags":[],"class_list":["post-295","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-s3d"],"_links":{"self":[{"href":"https:\/\/palette.ecuad.ca\/bgml\/wp-json\/wp\/v2\/posts\/295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/palette.ecuad.ca\/bgml\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/palette.ecuad.ca\/bgml\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/palette.ecuad.ca\/bgml\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/palette.ecuad.ca\/bgml\/wp-json\/wp\/v2\/comments?post=295"}],"version-history":[{"count":0,"href":"https:\/\/palette.ecuad.ca\/bgml\/wp-json\/wp\/v2\/posts\/295\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/palette.ecuad.ca\/bgml\/wp-json\/wp\/v2\/media\/119"}],"wp:attachment":[{"href":"https:\/\/palette.ecuad.ca\/bgml\/wp-json\/wp\/v2\/media?parent=295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/palette.ecuad.ca\/bgml\/wp-json\/wp\/v2\/categories?post=295"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/palette.ecuad.ca\/bgml\/wp-json\/wp\/v2\/tags?post=295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}